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RPG

by Me Lost Me

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1.
Real World 03:25
Jayne: What other things have you seen in real life and thought ‘that’s not real that’s like a video game?’ Adam: It’s called the Tetris effect when you start to see real life things as ways that video games are You suddenly become really good at problem solving in a way that doesn’t really matter in the real world - Yeah, that was definitely a video game boss I would say
2.
Eye Witness 03:29
I witnessed a fight in a mirrored stairwell Both parties reflected side to side Infinity times Half of them hit and shout at the other army And the other half shoved back in synchronicity-ah! Thousands of men tumbling down To the bottom floor together Thousands of men tumbling down To the bottom floor together Tried t' take a swing, losing their footing Swing the whole way down together Thousands of men fall again and again To the bottom floor forever In a crumpled heap spreading to the edge of what I could see A crumpled heap spreading to the edge of my sight together Together Together Together-ah!
3.
Festive Day 03:51
4.
Heat! 03:47
I spy sun gold midsummer shimmer-oh Heat! x 4 my skin needs to see the sun let it out, let it out the ocean is on fire put it out, put it out Wake up to warm breeze on skin finding patches of dappled shade to hide myself in our friends lay on grass spreading out spreading out enough food for everyone share it out share it out a picnic and midsummer fun Heat! x 4
5.
Mirie it is while sumer ilast with fugheles song oc nu necheth windes blast and weder strong Ey ey what this nicht is long And ich with wel michel wrong soregh and murne and fast x3 Translation: Merry it is while summer lasts With the birdsong But now nears the wind’s blast And weather strong Oh, how this night is long And I with very much wrong Sorrow and mourn and fast
6.
I close my eyes to summon sleep But on my eyelids plays the same scene: A wall of light and colour centre-screen Dissolves the night Riddles to solve in exchange for safe passage beyond the gate And each option rolls off my tongue that it may be the one Wrong again - I open my eyes in the dark room, Reset the progress in hope I will open them this time to find the screen gone And myself closer to real daylight hours I imagine that these visions are so bright that everyone must be having the same one: Millions of people trying to dream but stuck in this time loop purgatory As soon as their eyes close delivered to a massively multiplayer online dream Malware for the mind - Everyone is here Checking in again Checking out In this dream loading screen together We have no choice but to wander And explore the shrine to the God of stuck time Checking in again Checking out Checking in again Checking out
7.
Side Quest 01:56
8.
The sea through the trees Seen and heard and smelt Salt air and sticks snap underfoot *Jorden er tørt venter på regn The oldest trees hold the earth Clumps against the soil Like hands cradling something precious Boulders to rocks to pebbles to sand Time changes everything here How long should I wait before The moss grows on my skin And my outstretched arms Unafraid, unaware That I’m not from here Does the sound of the sea Calm these trees As much as it calms me? Do they speak, do they know, do they feel? On a clear day do they call out To their sisters across the bay On a dark day do they wail As the wind whips through them? These skeletons of wood are sky scrapers How do they know to grow? They stretch And arch And pulse Their pulse becomes ours A beacon calling home the driftwood to the forest To wash up on this shore And rest Translation of Danish lyric: *The earth is dry, waiting for rain
9.
Collide 04:18
10.
In Gardens 04:31
In gardens I find a kind of peace There's order in the borders and me warming palm house to keeps the wind out a new climate entirely An incubation zone not quite home not quite free but with tended to needs One day on meeting the head gardener I thanked them for their care they stopped a while and said to me "To be fair , if I dare the plant I neglect the most is me And it helps to know you’re there" Their care In gardens I find a kind of peace the simulation of nature helps me sleep photosynthesise in the light that leaks in from outside a controlled experiment before release into the wild, real, free, trees and in caring for you I'm caring for me too well it's about time the care I neglect so often is mine
11.
X marks the spot where I died I'm reborn again nearby Back on the horse heading north Catching insects as they go by and I know there's monsters to fight but I just want to stay the night here Fishing in the stream as the sun glitters around me I'm still afraid of the dark in these fields I've not got my confidence back So I familiarise myself with the mechanics of these new hands And in these infinite landscapes there's a place where I can land And I know there's monsters to fight but I just want to stay the night I'll leave when I wake in the morning to finish the job I've been holding off This language is ancient and it's history's not mine the knowledge it comes with the passing of time Hundreds of hours doing more than I'd ever dare Climbing a mountain just to see what’s there And I know there's monsters to fight but I just want to stay the night And I'll leave when I wake in the morning to finish the job I've been holding off
12.
Fingers pressing into clay to describe an impossible thing to dream something real taking a chisel to stone carving out a new thing for the day You are science and art you are science and art you are the writer you are the alchemical maker Faithfully yours playfully yours Faithfully yours playfully yours to create not because we need it to last just because we needed to make it not because we need it to last just because we felt something (just because we wanted to make something with our hands, with our voice) so we invented the words this language

about

"RPG wriggles with ideas, pushing against the porous border between everyday life and the mythological spaces of gaming and folklore... It is a celebration of the essentially human playfulness of gaming, storytelling and songs." - The Quietus

"If every era has its folk songs telling tales of questing heroes, why not the digital age?" - The Wire Magazine

"RPG succeeds in concurrently existing as the real and imaginary world, full of tradition, wonder and curiosity. Mesmerising neo-synth storytelling from an omnipotent oracle." - NARC Magazine

"This music, to me, is alchemy, it’s laboratory-based and magical." - Dancing About Architecture

ME LOST ME delights in experimenting with songwriting and storytelling, creating a beguiling mix of soaring vocals and atmospheric electronics that playfully weave together disparate genres, drawing influence from folk, art pop, noise, ambient and improvised music. Hauntological in part, RPG (out on July 7th through Upset The Rhythm) is concerned with tales and with time - are we running out of it? Does insomnia cause a time loop? Do the pressures of masculinity prevent progress? Jayne Dent asks these questions and more on RPG, her homage to worldbuilding and the story as an artform, calling back to those oral traditions around a campfire, as well as modern day video games - bringing folk music into the present day as she does so.

ME LOST ME presents sound reaching in opposite directions, straddling time towards the archaic and timeless traditions of folktales, and towards the possible and potential futures of pastoral Britain and the world at large. Part speculation, part reminiscence, what results on the new album RPG is music that sounds ultimately displaced and yet omnipresent, adjacent to a hapless Vonnegut hero whose life is scattered throughout time and history, but full of wonder and curiosity rather than fear.

On track “The Oldest Trees Hold The Earth”, we see time stretched out between the branches of impossibly old beings in the woods. This track was co-written in Aarhus, Denmark with fellow Newcastle folk musician (with Danish heritage) Ditte Elly. The pair wordlessly passed a sheet of paper between each other to write the lyrics, inspired by Højbjerg and Mosegård, the woods they were sitting in. “How long should I wait/Before the moss grows?/On my skin, on my outstretched arms,” the lyrics are sung in a round, the close harmonies delicate and detailed.

A central thesis of this album is the joy of creation, something which is paid homage to in the album’s final track, “Science And Art” (Not because we need it to last/just because we needed to make it - so we invented the words/this language). It is also reflected in the definition that Jayne gives for “folk” itself. She comments, “To me, folk is quite an expansive idea. I think of it as creative work that's often made ad-hoc, with things that are at hand and more often than not it's born of a DIY ethos. It is songs and stories of the people, as in the traditional sense, but also creative coding, game design etc. Whatever outlet someone has for their creative expression could be described as folk. It's the things we make because humans need to make things, and the stories we tell about ourselves and the world around us.”

Crucially, on latest album RPG, Dent expands her songwriting and looks towards the unreal locations of worldbuilding in video games for inspiration. She comments, “I think the main similarity is the importance of a song's setting/environment to inform its narrative and textures, I'm often most inspired when out walking in the natural landscape, in cities and travelling to places I've never been before - the environment I'm in really impacts the work I make. While writing this album, however, I found myself inspired by imaginary landscapes, those in video games, paintings, etc. I was writing stories into these unreal locations instead. Even the songs inspired by real places, like The Oldest Trees Hold the Earth, have a very surreal quality to them in the songs, like they're being warped and turned into something not of this world. I think that's the main difference for me in terms of the thematic content and inspiration behind this album - I've been getting more and more interested in balancing surreal and fantastical environmental elements with ordinary and everyday settings.”

RPG upends the concept of the eternal return - we may be in the midst of inevitable repetition, but we tell stories whilst awaiting the passage of time.

credits

released July 7, 2023

All tracks written by Jayne Dent except:
Mirie it is While Sumer Ilast (trad. arr by Dent)
Side Quest (co-written Dent/Rhodri Davies)
The Oldest Trees Hold the Earth (co-written Dent/Ditte Elly)
Collide (co-written Dent/Faye MacCalman)

Vocals by Jayne Dent
Additional vocals on ‘Heat!’, ‘Mirie it is While Sumer Ilast’ and ‘The God of Stuck Time’ by Janice Burns, Holly Clarke, Robin Fry, Anna Hughes, Faye MacCalman, John Pope, Claire Welford, Adam Wilson-Holmes
Add. vocals on ‘The Oldest Trees Hold the Earth’ by Ditte Elly
Add. vocals on ‘Eye Witness’ and ‘Science and Art’ by Nat Halaseh
Add. vocals on ‘In Gardens’ by Nat Halaseh and David Littlefair
Speaking samples on ‘Real World’ by Adam Wilson-Holmes
Electronics, synth and piano by Jayne Dent
Clarinet by Faye MacCalman
Double Bass by John Pope
Violin on ‘Festive Day’ by Niles Krieger
Harp on ‘Side Quest’ by Rhodri Davies
Flute on ‘Until Morning’ by Sam Partridge

Produced by Jayne Dent
Co-Produced, engineered and mixed by Sam Grant
Mastered by Mikey Young

Instruments and vocals recorded at Blank Studios, Newcastle upon Tyne except harp (recorded at home by Rhodri Davies), add. vocals on ‘The Oldest Trees Hold The Earth’ (recorded at Anders Hjortdal Andersen’s studio, Aarhus, by Ditte Elly), add. vocals on ‘In Gardens’ (recorded at Noatune Studios, London, by Angus Cattapan).

Cover artwork by Lucy Wright
Layout and additional artwork by Jayne Dent

Thanks to all the amazing musicians involved in the album, it’s been such a joy to make this with you! To Sam for being such a dedicated, inspiring and encouraging studio presence. To Chris at Upset the Rhythm for being so enthusiastic and supportive, to Rarely Unable for all their hard work on getting the album heard!

Additional thanks to Rory for lending me the Kaoss Pad! To Mads, Kristian, Julia, Rory, David and Liam for arrangement advice and incredibly helpful feedback on demos and mixes, and to Maria for all the professional support. To the collective in Højbjerg for sharing your space and being such welcoming hosts. To all the artists I have had countless inspiring and encouraging conversations with over the last couple of years, I am so lucky to know you and to be a part of such a lush community!

Thanks as always to my family and friends for their love and support, Mum, Dad, Liam, Holly, Kat, Sarah, Melek and Kas.

Thanks to you - for listening to records and coming to gigs, to all in the DIY music scene who make it thrive through their hard work and passion! Your support allows me to continue doing what I love and I’m so eternally grateful!

J x

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Me Lost Me Newcastle Upon Tyne, UK

"One heck of a potent brew" - Electronic Sound Magazine

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